©Andrew Diemer 2023 All Rights Reserved. To Infinity and Beyond.

My name is Andrew Diemer.

I’m a Graphic Designer, Illustrator, and Educator based in New York City. I work as a Senior Designer at Droga5 and spend my free time skateboarding, playing music, watching basketball, and studying martial arts. If you would like to collaborate or just want to say hello, feel free to send me an email.


Surprise Me
Theories Revealed

Inspired by Science-Fiction author L. Ron Hubbard’s work Dianetics, this skateboard graphic recontextualizes the imagery associated with the seminal text in Scientology with perrenial Theories Brand Elements. This was my third capsule collection completed for Theories Brand.

Electro-Harmonix Small Stone

The Small Stone is one of Electro-Harmonix’ most popular effects pedals. Its redesign aims to honor its place in music history as well as its psychedelic sound. This pedal is featured on some of my favorite records and is a mainstay on the guitar pedal boards of many artists such as Tame Impala, David Gilmour, & Radiohead

Ryan Kerwin “Gratitude”

Gratitude is Ryan Kerwin’s debut EP, and I was lucky enough to be put in charge of art directing and designing the album cover. I collaborated with photographer Eric Opalite to create the imagery for the album. Our mission was to try and blend the intamacy and introspection of the project with the optimism of its songwriting. You can find this album on Spotify and Apple Music.
The Paint - 01 - Odds & Ends

“A shitposter’s guide to basketball culture.”

‘The Paint’ is a collaborative zine project I started with my good friend and fellow basketball aficionado Nel Sparkman. This zine basically functions as a printed collection of memes that we made dissecting ideas in and around the culture of the game of basketball.

Proceeds benefited the families of Daunte Wright and Adam Toledo. R.I.P.

Droga5 São Paulo

I was tasked with creating a logotype to celebrate the new Droga5 office opening in São Paulo, Brazil. I wanted to capture the vibrancy and excitement of the city when creating not only the static lettering but also the animation. To build the lettering I used a series of five inset lines to form basic shapes, combining them to create the finished typography.

Agency: Droga5